|
Naughty Games (11/15) [ff, bd, sm, ws, teen]
All stories on this web site are purely FICTIONAL. The people depicted within these stories only exist in someone's IMAGINATION. Any resemblence between anyone depicted in these stories and any real person, living or dead, is an incredible COINCIDENCE too bizarre to be believed. If you think that you or someone you know is depicted in one of these stories it's only because you're a twisted perverted little fucker who sees conspiracies and plots where none exist. You probably suspect that your own MOTHER had sex with ALIENS and COWS and stuff. Well, she didn't. It's all in your head. Now take your tranquilizers and RELAX.
Naughty Games
by F. M. Hazer
Chapter 11: The Execution of Amy
The four girls were laying nude on Amy's king size bed. They were
exhausted from their naughty game that they had just finished
playing. The welts on Amy's body were fading as were the red
stripes on Sally's back. They were watching the projection TV.
when Sally said "I have an idea for a photo album that I'd like
to do." The other girls all expressed interest. Sally continued
"I got the idea from Amy's birthday whipping." She then explained
the concept for the photo book. After the explanation, Judy was
very concerned about such a project and was being protective of
her younger sister. Amy, however, was thrilled at the idea. They
discussed the potential impact of such a project, including the
legal aspects. Sally assured them that it is not illegal to
photograph and publish pictures of naked children as long as it's
not for sexual exploitation. This is, in part, thanks to the
American Sunbathing Association which regularly publishes
pictures of nude children in their monthly magazine.
Judy was still concerned about the pornographic nature of the
proposed pictures. Sally assured Judy that while the picture
would be erotic, they were not pornographic. It took a while for
Sally and Amy to wear down Judy's resistance. Miss Edwards
remained neutral in the argument. She was excited by Sally's idea
but also shared Judy's concern. Judy suggested that perhaps she
could do the book but she would reserve the right to not publish
it after she saw what it looked like. Sally said that it would
cost several thousand dollars to produce the book and no
publisher would extend an advance without assurances that the
book would be free to publish. Amy suggested that she would loan
the money to produce the book. In that way, Judy could veto the
project if she didn't like the final product. Also, it would lend
additional credibility to the legality of it since Amy herself
would be the producer. Judy was starting to concede but wanted
one more assurance; the book would not be published in the US. It
would be published elsewhere, like Europe. Sally agreed. They
worked out an agreement as to ownership, royalties, etc. Amy was
granted ownership to the book since she would be the producer.
This would also support their defense should any legal problems
arise. Sally would get the lion's share of the royalties.
The project involved Sally preparing for each picture during the
week. There was a lot of logistical work in preparing the props,
costumes, and extras for each photo. The actual shooting took
place each Saturday afternoon at a rented studio. That meant that
their usual Friday night naughty games had to wait until Saturday
night. It wouldn't do for Amy's body to be covered with welts
during the shootings. It took three months to complete the
shootings plus another few weeks to put together the rough draft
of the book. Finally, the big day came. Sally brought home the
first draft of the finished book. Miss Edwards and Judy sat next
to each other on the sofa as they were presented with the book.
Amy and Sally stood behind them so that they could watch.
The book was titled "The Execution of Amy; a Fantasy Photo Expose
of Execution. by Sally Cheng" The photo journal contained 10
scenes which represented the final act of a different form of
execution. As the reader turned the pages, the left page of each
scene contained a written explanation of the scene, the form of
execution that was being depicted, when and where it was
practiced. The right page of each scene contained a black and
white photograph depicting the actual execution. The common
thread of all of the scenes was that the condemned victim was
Amy, a totally nude Amy. Judy and Miss Edwards turned the pages
and looked at each scene.
The Hanging - The nude Amy is standing on the trap door of the
gallows. The view is just forward of her right side. The front of
her can be plainly seen as can her arms which are bound behind
her back. Her hands are bound by a generous amount of rope
wrapped around her wrists with her hands palm-to-palm. Her elbows
are similarly tied behind her back with a generous amount of
rope. The effect is to thrust out her breasts. Her ankles are
also bound with rope. Her long blond hair is gently blowing to
her left side. The hangman's noose is around her neck with the
knot laying on her right shoulder. The executioner can be seen in
the background about to pull the lever which will open the trap
door. Amy is looking straight ahead at no one. The expression on
Amy's face is one of passive resignation to her fate.
Drawn and Quartered - The nude Amy is seen with both wrists and
ankles tied to ropes which are being pulled in four different
directions. Amy is hanging by the ropes about two feet off of the
ground. The view is from her left side near her left foot. Her
head is laying back and her face cannot be seen. Her long hair
can be seen laying on the ground. Her vagina is on prominent
display as her legs are spread apart at a 90 degree angle. It is
obvious that there is considerable strain on her limbs as her
body is about to be torn into pieces. Even though the picture was
staged, Amy must have been in great discomfort to hang that way
by her wrists and ankles.
Crucified - The nude Amy is "nailed" to a cross in the
traditional crucifix position. Her head is laying on her left arm
and her eyes are closed. Her long hair falls down the front of
her body on her left side. Trails of blood can be seen dripping
from the wounds in her hands and feet. The look on her innocent
face brings to mind the words "Father forgive them for they know
not what they do."
The Burning Witch - It's 17th century Salem. The nude Amy is
chained to a stake with her hands above her head. Her feet are
covered with a pile of wooded sticks. The town folk, dressed in
traditional puritan garb, are about to watch Amy go up in flames
as one of them is shown about to set a burning torch to the pile
of wood. The angelic look on Amy's face speaks of innocence and
injustice.
Beheaded - It's the middle ages. The nude Amy is seen kneeling
with her neck laying on the chopping block. Her hands and elbows
are tightly bound behind her back. Her long hair is laying over
her head on the ground. Her small neck is exposed. Her face
cannot be seen. The view is from Amy's left side. On her right
side is the executioner. A giant man dressed in leather pants and
no shirt which shows off his hairy chest. There is a hood
covering his head. He's holding a large hatched over his head
ready to deliver the fatal blow.
Firing Squad - It's world war I. The nude "Mata Hari" Amy is tied
to a post with her hands behind her back. The firing squad is
aiming their rifles at her heart. The commanding officer has his
sword raised about to give the order to fire. Amy is looking down
passively waiting for the bullets to rip through her body.
Electrocution - The nude Amy is strapped into the wooden chair.
One electrode is strapped to her inner right thigh. The other
electrode is tied to her SHAVED head with a harness. Her bald
head is a striking contrast to the other pictures of her long
hair. Behind her, the warden can be seen with his hand on the
switch. He is about to close the switch.
The Gas Chamber - The nude Amy is strapped into the metal chair.
The view is through the chamber window. Amy's head is laying back
against the chair and her long hair is falling down her front on
her left side and lays in a pile in her lap. She is staring
blankly straight ahead. A cloud of gas can be seen rising up from
under the chair.
Pirate - The nude Amy is seen about to take the last step off of
the plank from the side of a sailing ship. The view is from just
forward of her left side Her wrists and elbows can be seen
tightly tied behind her back. A pirate can be seen shoving Amy
onward to her fate with a prod to her back with his sword.
Vampire - It's Bram Stoker's finale. The town's people have
opened her coffin revealing the nude Amy with flaming eyes; she's
wearing some kind of contact lenses. She has her mouth open
revealing long fangs. She looks like a snake about to strike. One
of the town's folk is holding a wooded stake to her chest between
her beautiful breasts. Another is about to strike it with a large
mallet.
There is one final photograph at the end of the book. It is a
picture of a fully dressed Amy, seen from the waist up, with
Sally standing behind and to Amy's left. They are both smiling
warmly. The write-up is from the author and photographer Sally
Cheng, expressing her appreciation and thanks to her good friend
and model "Amy." The write-up further explains that this
photo-book was produced with the full knowledge and cooperation
of both Amy and her family.
All of the photo-scenes were designed to evoke a sense of erotic
horror. The viewer if filled with a sense of outrage that this
beautiful innocent looking creature, Amy, is about to be
destroyed.
Judy and Miss Edwards sat in stunned silence after finishing
viewing the book. Sally asked what they thought. Judy couldn't
find the words. Finally, Miss Edwards expressed their feelings
perfectly with the oxymoron "It's grotesquely beautiful." Sally
smiled broadly and said "Good, that's what you're supposed to
feel!" Judy and Miss Edwards finally admitted that it was a good
piece of artistic work, even if it was bizarre.
They then discussed each scene and all the work and preparation
that was required for the pose. Amy said that, in general, it was
hard work. There were only a couple of times when she got any
sexual thrill from the pose. These were the times when she was
tightly bound. She said that the "Drawn and Quarter" pose was
especially stimulating. Sally and Amy explained how the pose was
done. The ropes were attached to posts which were out of sight of
the camera. Amy was laying on a stool while the ropes were being
tied and drawn tight. Then, the stool was removed and she
actually hung by the ropes while the pictures were taken. Amy
said that while it was very stimulating it quickly became
uncomfortable and she could only hang like that for a few minutes
before her wrists and ankles really hurt. It was just long enough
to take the pictures. There were several pictures taken but only
the "best" one was selected for the book.
Judy and Miss Edwards asked about the "extras", the other people
who were in the scenes. Sally explained that they were all good
friends of her's, and all gay. Judy asked about the big hairy
"ape" with the axe. Sally said that he's also gay and is a line
backer for a professional football team. He agreed to pose for
the photo provided that his face was not shown. Amy added that he
is really a kind gentle person and they become good friends.
They finally asked about Amy's bald head in the electrocution
scene. Amy said that it took nearly two hours of makeup work to
hide her hair under a latex skull cap.
Judy again got reassurances from Sally that the book would not be
published in the US. Sally agreed and further stated that there
would be nothing in the book that would indicate Amy's true
identity. As far as the reader could determine, this English
language book could have been produced in England, Australia, or
South Africa. Judy finally agreed to sign the release forms so
that Sally's photo book could be published.
|
|
